THE BIRD OF POPULAR SONG
    
    
        IT is winter-time. The earth wears a snowy garment, and
    looks like marble hewn out of the rock; the air is bright and
    clear; the wind is sharp as a well-tempered sword, and the
    trees stand like branches of white coral or blooming almond
    twigs, and here it is keen as on the lofty Alps.
    
        The night is splendid in the gleam of the Northern Lights,
    and in the glitter of innumerable twinkling stars.
    
        But we sit in the warm room, by the hot stove, and talk
    about the old times. And we listen to this story:
    
        By the open sea was a giant's grave; and on the
    grave-mound sat at midnight the spirit of the buried hero, who
    had been a king. The golden circlet gleamed on his brow, his
    hair fluttered in the wind, and he was clad in steel and iron.
    He bent his head mournfully, and sighed in deep sorrow, as an
    unquiet spirit might sigh.
    
        And a ship came sailing by. Presently the sailors lowered
    the anchor and landed. Among them was a singer, and he
    approached the royal spirit, and said,
    
        "Why mournest thou, and wherefore dost thou suffer thus?"
    
        And the dead man answered,
    
        "No one has sung the deeds of my life; they are dead and
    forgotten. Song doth not carry them forth over the lands, nor
    into the hearts of men; therefore I have no rest and no
    peace."
    
        And he spoke of his works, and of his warlike deeds, which
    his contemporaries had known, but which had not been sung,
    because there was no singer among his companions.
    
        Then the old bard struck the strings of his harp, and sang
    of the youthful courage of the hero, of the strength of the
    man, and of the greatness of his good deeds. Then the face of
    the dead one gleamed like the margin of the cloud in the
    moonlight. Gladly and of good courage, the form arose in
    splendor and in majesty, and vanished like the glancing of the
    northern light. Nought was to be seen but the green turfy
    mound, with the stones on which no Runic record has been
    graven; but at the last sound of the harp there soared over
    the hill, as though he had fluttered from the harp, a little
    bird, a charming singing-bird, with ringing voice of the
    thrush, with the moving voice pathos of the human heart, with
    a voice that told of home, like the voice that is heard by the
    bird of passage. The singing-bird soared away, over mountain
    and valley, over field and wood- he was the Bird of Popular
    Song, who never dies.
    
        We hear his song- we hear it now in the room while the
    white bees are swarming without, and the storm clutches the
    windows. The bird sings not alone the requiem of heroes; he
    sings also sweet gentle songs of love, so many and so warm, of
    Northern fidelity and truth. He has stories in words and in
    tones; he has proverbs and snatches of proverbs; songs which,
    like Runes laid under a dead man's tongue, force him to speak;
    and thus Popular Song tells of the land of his birth.
    
        In the old heathen days, in the times of the Vikings, the
    popular speech was enshrined in the harp of the bard.
    
        In the days of knightly castles, when the strongest fist
    held the scales of justice, when only might was right, and a
    peasant and a dog were of equal importance, where did the Bird
    of Song find shelter and protection? Neither violence nor
    stupidity gave him a thought.
    
        But in the gabled window of the knightly castle, the lady
    of the castle sat with the parchment roll before her, and
    wrote down the old recollections in song and legend, while
    near her stood the old woman from the wood, and the travelling
    peddler who went wandering through the country. As these told
    their tales, there fluttered around them, with twittering and
    song, the Bird of Popular Song, who never dies so long as the
    earth has a hill upon which his foot may rest.
    
        And now he looks in upon us and sings. Without are the
    night and the snow-storm. He lays the Runes beneath our
    tongues, and we know the land of our home. Heaven speaks to us
    in our native tongue, in the voice of the Bird of Popular
    Song. The old remembrances awake, the faded colors glow with a
    fresh lustre, and story and song pour us a blessed draught
    which lifts up our minds and our thoughts, so that the evening
    becomes as a Christmas festival.
    
        The snow-flakes chase each other, the ice cracks, the
    storm rules without, for he has the might, he is lord- but not
    the LORD OF ALL.
    
        It is winter time. The wind is sharp as a two-edged sword,
    the snow-flakes chase each other; it seems as though it had
    been snowing for days and weeks, and the snow lies like a
    great mountain over the whole town, like a heavy dream of the
    winter night. Everything on the earth is hidden away, only the
    golden cross of the church, the symbol of faith, arises over
    the snow grave, and gleams in the blue air and in the bright
    sunshine.
    
        And over the buried town fly the birds of heaven, the
    small and the great; they twitter and they sing as best they
    may, each bird with his beak.
    
        First comes the band of sparrows: they pipe at every
    trifle in the streets and lanes, in the nests and the houses;
    they have stories to tell about the front buildings and the
    back buildings.
    
        "We know the buried town," they say; "everything living in
    it is piep! piep! piep!"
    
        The black ravens and crows flew on over the white snow.
    
        "Grub, grub!" they cried. "There's something to be got
    down there; something to swallow, and that's most important.
    That's the opinion of most of them down there, and the opinion
    is goo-goo-good!"
    
        The wild swans come flying on whirring pinions, and sing
    of the noble and the great, that will still sprout in the
    hearts of men, down in the town which is resting beneath its
    snowy veil.
    
        No death is there- life reigns yonder; we hear it on the
    notes that swell onward like the tones of the church organ,
    which seize us like sounds from the elf-hill, like the songs
    of Ossian, like the rushing swoop of the wandering spirits'
    wings. What harmony! That harmony speaks to our hearts, and
    lifts up our souls! It is the Bird of Popular Song whom we
    hear.
    
        And at this moment the warm breath of heaven blows down
    from the sky. There are gaps in the snowy mountains, the sun
    shines into the clefts; spring is coming, the birds are
    returning, and new races are coming with the same home sounds
    in their hearts.
    
        Hear the story of the year: "The night of the snow-storm,
    the heavy dream of the winter night, all shall be dissolved,
    all shall rise again in the beauteous notes of the Bird of
    Popular Song, who never dies!"
    
    
                                THE END
    


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